Design as Art as told by Bruno Munari. “The form follows the function” — Jean-Baptiste Lamarck. As I was reviewing and cleaning out my. Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design. One of the last surviving members of the futurist generation, Bruno Munari's Design as Art is an illustrated journey into the artistic possibilities of modern design translated by Patrick Creagh published as part of the 'Penguin on Design' series in Penguin Modern Classics.


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What a great read this one is.


Clearly, Munari was writing in and for another period. That was a period spearheaded by designers-thinker Part social commentary in a world of design, part designerly musing, and part thoughtful criticism at a world filled with abused objects, Munari's new publication by Penguin is a welcoming oasis of design as art bruno munari essays many merely one page long concisely argued and written to the tyranny of cognitive science and user research tomes dominating design thinking today think Norman and IDEO combined.

Design as Art · The Usability Post

These designers offer the insight that acute observation combined with thoughtful reflection of the material world is one of the design as art bruno munari powerful forte of a designer. In this book, I like the Munari's insight of 'wearing' best. He asks us to look at how objects become worn in their everyday use.

Should we design objects on the sole merit of personal aesthetics and upon the Platonic plane of Ideal Geometry? They confine themselves to making candlesticks that look like candlesticks.

Design as Art by Bruno Munari

The form should be almost spontaneous, governed by the function of the design as art bruno munari and the materials used to create it. Other factors that will influence the design are cost of manufacture and transportation—important factors of industrial design.

Japanese design Throughout the book Munari keeps going back to Japanese design, which he approves. Another important element of Japanese design is its close connection to the materials used—an intelligent use of each material depending on its looks and properties.

As a result, Japanese design embodies the object with both, its function, and the properties of the materials used. Two pieces of wood.

The same pieces of wood can be served to anyone, regardless of their status, and regardless of the occasion. They are simply designed, light and easy to make. They are cheap and you can throw them out after a meal.

The only prerequisite for their use is to cut up the design as art bruno munari into bite size pieces beforehand.

Design as Art

Compare this to Western cutlery. You design as art bruno munari buy all sorts of knives, forks and spoons. They can be cheap, expensive, steel, silver, funny, serious, light, heavy, and so on, and never mind the various utensils and knives designed specifically for different dishes, whether that be some Parmesan cheese, or a rack of lamb.

Moving to a new house? The Western utensil is an explosion of complexity where as the chopstick is an eating tool reduced to its simplest form.

Useless machines Throughout the book Munari introduces some of his own inventions, pieces of design as art bruno munari he calls useless machines. The resulting object will wobble and rotate slightly as the air passes around it, but the real point is the shadow that it casts—something that looks like a pencil sketch due to the metal mesh pattern, but at the same time animated and flowing, like a cloud.

It is also spontaneous art—the object takes the properties of its material and produces something unique to itself with little direction from the artist.

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